Poetry

bodies like gardens

bodies like gardens

Salena Wiener’s chapbook is intimate and personal, focused on the relationship between the speakers and their bodies in relation to other people.

By Zoe Shaw

New Songs for Orpheus

New Songs for Orpheus

John Reibetanz’s poetry collection rewrites Ovid’s Metamorphosis with a distinct ecological sensibility.

By Salena Wiener

Slows: Twice

Slows: Twice

T. Liem’s new collection is an immersive and thought-provoking exploration of time, identity, and language itself.

By Salena Wiener

House Within a House

House Within a House

Nicholas Dawson's collection, D.M. Bradford’s first full-length translation, is a dazzling and multilingual success.

By Salena Wiener

The Choice Is Real

The Choice Is Real

Jayson Keery’s collection is weird, experimental, captivating.

By Salena Wiener

The House You Were Born In

The House You Were Born In

Tanya Standish McIntyre's poetry is rich with imagination and a thoughtful eye.

By Robyn Fadden

Wolf Sonnets

Wolf Sonnets

In concise poetry entrenched in nature and his Métis ancestry, R.P. LaRose provocatively makes the sonnet form his own.

By Robyn Fadden

The Tempest

The Tempest

In Ilona Martonfi’s The Tempest, truths are uncovered, revealing tendrils and roots that reach far outside one life.

By Robyn Fadden

Continent

Continent

In Aaron Boothby’s Continent, documented history and intergenerational storytelling form a subjective mythology.

By Robyn Fadden

The Four-Doored House

The Four-Doored House

Much like the book’s title, there’s more than one way inside Pierre Nepveu’s latest poetic creations, and much goes on within their walls.

By Robyn Fadden