Spring 2019

nîtisânak

nîtisânak

Part of me wants to say that nîtisânak is the literary equivalent of a middle finger, sporting chipped black nail polish and waving in front of Nixon’s knowing smirk. At times it is, directing justifiable anger and irreverence towards racist, transphobic, and homophobic institutions, perceptions, and people.

By Alicia Elliott

A Joy to Be Hidden

A Joy to Be Hidden

In classical mythology, Persephone is forcefully separated from her mother and taken to the underworld. She is eventually able to return, but the reunion is incomplete: Persephone must forever spend a portion of time hidden away, moving through a cycle of appearance and disappearance tied to the seasons. Through both indirect and direct reference, this myth infuses Ariela Freedman’s novel A Joy to Be Hidden, where secrets, loss, and separated family members interweave through multiple plot lines.

By Danielle Barkley

The Embalmer / The Faerie Devouring

The Embalmer / The Faerie Devouring

atherine Lalonde’s The Faerie Devouring likewise centres on an intimate familial relationship: the sprite, a young girl, is raised by her staunch grandmother among a gaggle of other children in rural Quebec. In contrast with the precise, crystalline images and mood of The Embalmer, Lalonde’s language is organic, pulsing, and repetitive in the way of fairy tales. The Faerie Devouring is a loose, impressionistic text that captures the fraught, shifting relationship between the sprite and her Gramma. Lalonde’s characters are physical before anything else, moving constantly but barely speaking.

By H Felix Chau Bradley

The Teardown

The Teardown

Expect neither Skil saws nor crowbars in Montreal writer and translator David Homel’s eighth novel: the “teardown” he explores with perspicacity is the mindset of a narrator who, like the older homes in his childhood neighbourhood, remains structurally sound but feels unjustly rendered worthless in a volatile, financialized new world order.

By Pablo Strauss

Sasquatch and the Green Sash

Sasquatch and the Green Sash

The storytelling tradition would never have become a tradition if people hadn’t been willing to work on variations of what came before, and in Sasquatch and the Green Sash, Henderson takes Sir Gawain and the Green Knight further afield than most would dare. Describing his project in the acknowledgements as “a hybrid thing, at once an adaptation, translation, and Canadianization,” he makes good on all three claims.

By Ian McGillis

This Country of Mine

This Country of Mine

At the centre of Didier Leclair’s beautifully written and realized novel, This Country of Mine, is Dr. Apollinaire Mavoungou, a recent immigrant from an African country to Toronto. His professional qualifications still unrecognized, despite passing the required local exams, Apollinaire works at a call centre and moonlights illegally as a doctor to retain some semblance of his former life.

By Veena Gokhale

Autopsy of a Boring Wife

Autopsy of a Boring Wife

Diane Delaunais, the main character in Marie-Renée Lavoie’s novel Autopsy of a Boring Wife, is (despite the title) not at all boring. After Jacques, her husband of twenty-five years, unexpectedly leaves her and their empty nest near Quebec City for a younger woman, Diane’s equilibrium (if she ever had any) spirals out of orbit. Trying to regain her footing, she lurches from scene to scene in escapades often featuring her sympathetic friend Claudine.

By Cora Siré

Clicking into Place

Clicking into Place

Clicking into Place, by writer and improviser Jordan Moffatt, is a different kind of book – it’s a Bad Book, the first fiction title from the micro-press founded by Fawn Parker and Thomas Molander in 2018. The press’s mission is to “broaden the definition of ‘CanLit,’” and Moffatt’s flash fiction collection fits the bill – it’s unlike any CanLit I’ve read in recent memory – but not in the ways I expected.

By Carly Rosalie Vandergriendt

The Organist

The Organist

Friedrich Nietzsche once famously wrote, “Without music, life would be a mistake,” and Harry Abley – organist, choirmaster, conductor, and music teacher – might agree. The Organist: Fugues, Fatherhood, and a Fragile Mind, written by Mark Abley, his son, is a love letter, a eulogy of sorts, to a misunderstood musician, and a valedictory tribute to a bygone era.

By Susan Doherty

Obits.

Obits.

In Tess Liem’s Obits., we make our way with the poet through the challenging process of mourning as she reflects on her own mortality. Attentive and introspective, these poems draw from contemporary events, psychoanalysis, mythology, television, feminist writing, and other sources in order to ponder death in all its intimacy

By Gillian Sze

Young Readers

Young Readers

he Silence Slips In by Alison the water cycle. Young Sarah tells the story of a including Crat, a ...

By Kate Lavut

This Woman’s Work

This Woman’s Work

In This Woman’s Work, which exists in the liminal space between autofiction and memoir, Delporte finds the words and draws the images to evoke the struggles of women as they navigate assumptions about gender, femininity, and creativity. The book is both deeply intimate and also emblematic of women who are at a time of crisis, opportunity, and, hopefully, progress.

By Ami Sands Brodoff