Two new books – In Defiance and Generation Rising – are useful in situating the 2012 strike within an ongoing struggle against society’s marketization at the expense of its citizens, and set against the backdrop of Quebec’s unique sociopolitical history.
The worst writing advice Louise Penny ever got – to abandon any hope of seeing her work in print – came early in her career, back when she first decided to give creative writing a go. “There are a lot of people who went out of their way to tell me that I wouldn’t be published,” Penny recalls.
Mountain City Girls, written by Anna and Jane, is not a retelling of the McGarrigles’ career in music. Rather, it is a captivating account of what came before that. The book is a richly worded family history, reaching back three generations, and then focusing mostly on the McGarrigle family unit – Father Frank, Mother Gaby, and sisters Jane, Anna, and Kate.
After making a splash in the alternative comics world last year with Photobooth, a delightfully idiosyncratic history of the titular machines and the author’s own obsession with them, Montreal-based artist and illustrator Meags Fitzgerald returns this fall with Long Red Hair, a new memoir about childhood, female friendship, and coming of age queer.
Not everything that is faced can be changed; but nothing can be changed until it is faced,” wrote James Baldwin, an apt epigraph for No Safeguards, the new novel by H. Nigel Thomas. Cultural memory often involves a good deal of willed forgetting, an overlooking of painful parts of experience in favour of a dominant narrative.
From the current issue: Fall 2015
Latest from the blog
Poem of the Month
There’s the country somewhere outside the car.
The country where the elm fucks the maple
and the elm broods as if auditioning
for a new PBS miniseries.