The worst writing advice Louise Penny ever got – to abandon any hope of seeing her work in print – came early in her career, back when she first decided to give creative writing a go. “There are a lot of people who went out of their way to tell me that I wouldn’t be published,” Penny recalls.
Mountain City Girls, written by Anna and Jane, is not a retelling of the McGarrigles’ career in music. Rather, it is a captivating account of what came before that. The book is a richly worded family history, reaching back three generations, and then focusing mostly on the McGarrigle family unit – Father Frank, Mother Gaby, and sisters Jane, Anna, and Kate.
After making a splash in the alternative comics world last year with Photobooth, a delightfully idiosyncratic history of the titular machines and the author’s own obsession with them, Montreal-based artist and illustrator Meags Fitzgerald returns this fall with Long Red Hair, a new memoir about childhood, female friendship, and coming of age queer.
Not everything that is faced can be changed; but nothing can be changed until it is faced,” wrote James Baldwin, an apt epigraph for No Safeguards, the new novel by H. Nigel Thomas. Cultural memory often involves a good deal of willed forgetting, an overlooking of painful parts of experience in favour of a dominant narrative.
Two new books – In Defiance and Generation Rising – are useful in situating the 2012 strike within an ongoing struggle against society’s marketization at the expense of its citizens, and set against the backdrop of Quebec’s unique sociopolitical history.