Fiction

Sugaring Off

Sugaring Off

Fanny Britt brings her readers on a powerful journey through privilege, belonging, and the search for connection.

By Ashley Fish-Robertson

The Capital of Dreams

The Capital of Dreams

Heather O’Neill’s own bold and bewitching words, steeped in symbolism, are as exciting to unpack as an epic dream.

By Kimberly Bourgeois

Looking for Her

Looking for Her

The substantial question that Carolyn Marie Souaid’s novel poses is what exactly “good” entails – and by what measure?

By Phoebe Yì Lǐng

What I Know About You

What I Know About You

Éric Chacour’s debut novel is a familiar tale of forbidden love bolstered by the fresh insight of a first-time author.

By Alexandra Sweny

Subterrane

Subterrane

This is a book that hums with high-context, sublingual information, the kind that resists total comprehension joyfully and exactingly.

By Dani Carter

Nish: Northern Lights

Nish: Northern Lights

This is a sweet and gentle book about teenagers whose small world ballasts them against the cruelties of the big one.

By Dana Bath

Dry Your Tears to Perfect Your Aim

Dry Your Tears to Perfect Your Aim

Jacob Wren’s novel grapples with questions of violence, complicity, authority, collectivity, resistance, and doubt.

By H Felix Chau Bradley

The Reeds

The Reeds

Arjun Basu's novel is is a love song to Montreal in all of its gritty complexity and contradictions.

By Ami Sands Brodoff

May Our Joy Endure

May Our Joy Endure

Lambert's gaze is oceanic, homing in on individuals and zooming out to the systems within which they operate.

By Marisa Grizenko

Monday Rent Boy

Monday Rent Boy

Susan Doherty's latest novel is an honourable attempt to give voice to an issue which is all too often silenced.

By Aaron Obedkoff

The War You Don’t Hate

The War You Don’t Hate

Blaise Ndala’s blistering second novel is a searing satire of war and celebrity and their improbable connection.

By Ami Sands Brodoff

Kilworthy Tanner

Kilworthy Tanner

The emotive core of Ah-Sen's novel rests in the evolving relationship between a burgeoning writer and their practice.

By Ronny Litvack-Katzman