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Alexei Perry Cox’s deeply political project is a quantum entanglement of love and grief.
By Madelaine Caritas Longman
Poetry
Laura Vazquez’s language is governed by an unusual, almost surreal logic.
By Frances Grace Fyfe
Tanya Bellehumeur-Allatt’s new book of poems is striking as much for its beauty as its simplicity.
By Frances Grace Fyfe
Greene’s poetic conceits – couplets of eleven syllables, shipwrecks, journeys home – harken his work to a golden age of poetry.
By Frances Grace Fyfe
Huang’s collection is on a papyrus for the time being, where gaps appear less by disintegration than by degradations of memory.
By Frances Grace Fyfe
For all its campiness, Solomon’s poetry is also touched by diasporic trauma, loss, and yearning.
By Frances Grace Fyfe
Temporally and geographically expansive, Long Exposure’s apparent digressions sediment into uncanny layers.
By Madelaine Caritas Longman
In these breathless, experimental poems, Haiun plays with textual orientation.
By Paisley Conrad
Robin Durnford’s At Beckett’s Grave reimagines elegy not as closure, but as pause.
By Paisley Conrad
Sarah’s work embodies the tension between expectation and perception.
By Paisley Conrad
This poetry is informed by the lens of observation, but not of the coldly scientific kind.
By Paisley Conrad
The poems move like a mind caught between thresholds.
By Paisley Conrad