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Illustrator and designer Raymond Biesinger offers a combination of memoir, rant, and self-help guide.
By Malcolm Fraser
Daylen is a black and queer multidisciplinary artist residing in Montreal. Their artistic practices range from graphic design to illustration, tattoo, sculpture, painting, printmaking and ceramic work.
By
The spring 2026 issue of the Montreal Review of Books is now on the stands and online.
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In her latest novel, Marianne Ackerman returns to the landscape of her childhood in Prince Edward County.
By Alexandra Sweny
Matthew Purvis' history of local erotic art uncovers a vibrant and often overlooked world of artistic experimentation.
By Sruti Islam
An excellent summary of recent Quebec history as viewed through the lens of the question of Quebec nationalism.
By Taylor C. Noakes
![[SPACE]](https://mtlreviewofbooks.ca/wp-content/uploads/2026/03/ALEXEI-PERRY-COX_cred._HAMZA-ABOUELOUAFAA.jpg)
Alexei Perry Cox’s deeply political project is a quantum entanglement of love and grief.
By Madelaine Caritas Longman
Each page is filled with capsule-like observations of the physical world rebounding off her innermost thoughts.
By Sharon Morrisey
Jonathan Sa’adah’s new photobook was compiled during a two-week expedition to Syria with his then ninety-year-old father.
By Dean Garlick
A beautiful fable for our difficult days.
By Jules Brown
Yanofsky’s writing is candid, cheeky, and empathetic, and he is unafraid to lean into his innermost fears.
By Brooke Lee
Marie-Claire Blais' final novel is meant to push past limits and ends.
By India Das-Brown