Josip Novakovich's frightening and darkly hilarious new novel is a story of the early post-communism years in Russia.
By Alexander Hackett
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The small, precisely rendered moments are what make Kasia Von Shaik's stories resonant, familiar, and refreshing.
By Danielle Barkley
Stanley Péan combines his considerable knowledge of jazz history with his talent for editorial fact-finding.
By Darcy MacDonald
Toula Drimonis' We, the Others is a declaration, with evidence, that allophones and immigrants do belong here.
By Elisabeth Gill
Letters from Montreal is a collaged portrait of a mythical city.
By Alexandra Trnka
Alexei Perry Cox's PLACE offers radical, strategic, and intuitive ways of being.
By Emma Telaro
Kate Beaton’s graphic memoir chronicles her two-year stint in the northern Alberta oil patch.
By Emily Raine
This memoir of Montreal rock glory is a fast and bumpy ride whose driver does not take his foot off the gas pedal.
By Johnson Cummins
In Acting Class, Nick Drnaso is concerned with the vivid world of the interior.
By Connor Harrison
Peacekeeper’s Daughter is Tanya Bellehumeur-Allatt's memoir about her time in Lebanon while her father, a UN peacekeeper, was posted there.
By Yara El-Soueidi
On the cusp of the fiftieth anniversary of Véhicule Press, a trio of the original “Véhicule Poets” reunite in print.
By Robyn Fadden
Photography is a prominent organizing principle of Rawi Hage’s new collection of short stories, Stray Dogs.
By H Felix Chau Bradley