Sutherland's stories are an offering to the members of her community who supported her throughout her life.
By Léa Murat-Ingles
Fiction
Thomas explores his characters’ motivations with extraordinary compassion.
By Elisabeth Gill
The Guilt Trippers is at its best in its vivid descriptions of the city’s neighbourhoods.
By Alexander Hackett
Matuk’s depiction of Palestine is unlike the one we have come to picture in the wake of the war in Gaza.
By Krystale Tremblay-Moll
With seven stories and a novella, the book nicely balances cohesiveness and variety.
By Elise Moser
The novel’s defining trait is its Technicolor catalogue of hard-boiled slang, an ambitious feat in and of itself.
By Evie Faber
These climactic interventions ferry queer desire into the collective imagination.
By Danielle Douez
The greatest strength of this book is Tremblay’s evocative portrayal of art addiction.
By Karolina Roman
The novel builds a vivid and evocative picture of Asha’s childhood in a house with green verandahs and mango trees.
By Priscilla Jolly
Susan Grundy's novel excels as a study of Canadian intergenerational identity.
By Kate Kolberg
In her latest novel, Marianne Ackerman returns to the landscape of her childhood in Prince Edward County.
By Alexandra Sweny
Each page is filled with capsule-like observations of the physical world rebounding off her innermost thoughts.
By Sharon Morrisey