Poetry

Long Exposure

Long Exposure

 Temporally and geographically expansive, Long Exposure’s apparent digressions sediment into uncanny layers.

By Madelaine Caritas Longman

At Beckett’s Grave

At Beckett’s Grave

Robin Durnford’s At Beckett’s Grave reimagines elegy not as closure, but as pause.

By Paisley Conrad

An Orange, A Syllable

An Orange, A Syllable

This poetry is informed by the lens of observation, but not of the coldly scientific kind.

By Paisley Conrad

propersitions

propersitions

The poems move like a mind caught between thresholds.

By Paisley Conrad

Kingdom of the Clock

Kingdom of the Clock

On nearly every page, characters reckon with life, death, friendship, morality, addiction, and paying the rent.

By Madelaine Caritas Longman

White Lily

White Lily

White Lily’s ironic, minimalistic stanzas sear like incisions across the page.

By Madelaine Caritas Longman

Palestine Wail

Palestine Wail

A hopeful voice in a devastating time.

By Madelaine Caritas Longman

UNMET

UNMET

UNMET continues to establish stephanie roberts as one of Montreal’s most exciting contemporary poets.

By Madelaine Caritas Longman

Stolen Plums

Stolen Plums

Turski’s poems lick the lead off paintings, gaze upon the “plains of horns” of lychees, and pulse like a “eusocial tide” of ants.

By Madelaine Caritas Longman