Reviews

The Capital of Dreams

The Capital of Dreams

Heather O’Neill’s own bold and bewitching words, steeped in symbolism, are as exciting to unpack as an epic dream.

By Kimberly Bourgeois

The Sacred Heart Motel

The Sacred Heart Motel

One of the sheer brilliances of Kwan’s book is turning migration into a love poem and love into a migration.

By Carlos A. Pittella

The Great Right North

The Great Right North

Crucially, the authors try to answer the million-dollar question: what is to be done about the far right in Canada?

By Nora Loreto

It Really Is

It Really Is

Cole Degenstein's graphic novel is an honest reflection on isolation, seasonal depression, the poetry in daily life.

By Sasha Khalimonova

Post-Mortem of the Event

Post-Mortem of the Event

This latest by Klara du Plessis examines a collaborative event and, in doing so, endlessly multiplies it – so the event isn’t dead after all.

By Carlos A. Pittella

Poetry Marching for Sindy

Poetry Marching for Sindy

This is a book of silences: the long blanket of winter, the blank of the page always larger than the poems themselves, the passivity of government.

By Carlos A. Pittella

Opening Ceremony

Opening Ceremony

Amid dark undercurrents that often implicate poet and reader alike, Marciano creates her own rituals.

By Carlos A. Pittella

Metromorphoses

Metromorphoses

If I could buy an atlas of Canadian cities recently mapped by poets, I would expect to find John Reibetanz’s Toronto.

By Carlos A. Pittella

Hope is a Woman’s Name

Hope is a Woman’s Name

Amal Elsana Alh’jooj’s memoir tells of building bridges in places where people struggle to imagine such a possibility

By Brooke Lee

Processing

Processing

Call it emotional realism; for Tara Booth, her outsized feelings are the only story that really matters.

By Emily Raine

Line Breaks

Line Breaks

An engaging and humanistic memoir that braids together George Galt’s own “writing life” with a history of the anglophone Canadian literary scene.

By Adam Hill

Looking for Her

Looking for Her

The substantial question that Carolyn Marie Souaid’s novel poses is what exactly “good” entails – and by what measure?

By Phoebe Yì Lǐng