At first glance, HA! seems daunting: 800 pages on the subject of the suicide of one of Quebec's most ...
By Anne Cimon
Reviews
Time and again in the fifteen chapters of Spoken Here: Travels Among Threatened Languages, we are reminded ...
By Jill Rollins
Tables for One is the true story of a year Montreal native Robert Johnson spent in Spain working on a novel ...
By Sarah Rosenfeld
Hugh Hood died in 2000. This volume collects the last of his stories, in sequence. On first read they seem almost ...
By Margaret Goldik
Anyone who has gone through a bad breakup, or helped a friend through one, knows that healing is more than using ...
By Poppy Wilkinson
In Song for My Father Miriam Packer steps into some big footprints: those of Mordecai Richler and his early ...
By Mary Soderstrom
Québécité, the latest work by Nova Scotian multi-genre writer George Elliott Clarke, is the libretto to a ...
By Kelly Murphy
David Homel's new novel tries to meet the challenge that other writers-cultural voyeurs and marauders of the ...
By Mark Heffernan
Joining the ranks of two renowned Montreal experimental writers, Nicole Brossard and Gail Scott, Amanda Marchand ...
By Jessica Ticktin
Dana Bath's is also concerned with feminist issues. The opening story, set in Japan, raises questions about ...
By Eleni Zisimatos Auerbach
I was lying alone in the dark recently when an old Roy Orbison tune, "Falling," came on the radio, reaching across ...
By Kimberly Bourgeois
Wendy MacIntyre, in The Applecross Spell, has written a provocative novel with a strong feminist and ...
By Eleni Zisimatos Auerbach