Montreal-based poet Gail Scott's experimental prose memoir archives the ordinary in the midst of upheaval.
By Aishwarya Singh
Poetry
DM Bradford's collection is a cat’s cradle of echoes from pre–Civil War America.
By Faith Paré
Erín Moure’s collection combines academic research and cultural criticism, intertwined with original poems.
By Zoe Shaw
Ivanna Baranova’s second poetry book is a collection of longings – longings for a lover, for a deeper connection to nature, and more.
By Zoe Shaw
![[about]ness](https://mtlreviewofbooks.ca/wp-content/uploads/2023/10/Laffan_aboutness_FC.jpg)
Eimear Laffan’s book is a long poem in sections that chronicles the creation of a text not yet completed.
By Zoe Shaw
John Emil Vincent's book is a story in verse of the stuttering feeling of finding one’s purpose and overcoming cultural pressures on aging women.
By Zoe Shaw
Salena Wiener’s chapbook is intimate and personal, focused on the relationship between the speakers and their bodies in relation to other people.
By Zoe Shaw
John Reibetanz’s poetry collection rewrites Ovid’s Metamorphosis with a distinct ecological sensibility.
By Salena Wiener
T. Liem’s new collection is an immersive and thought-provoking exploration of time, identity, and language itself.
By Salena Wiener
Nicholas Dawson's collection, D.M. Bradford’s first full-length translation, is a dazzling and multilingual success.
By Salena Wiener
Jayson Keery’s collection is weird, experimental, captivating.
By Salena Wiener
An intimate and raw collection explores trauma, abuse, grief, and healing.
By Salena Wiener