Daniel Allen Cox’s memoir is a captivating, richly layered text that dismantles any reductive ideas readers may hold.
By H Felix Chau Bradley
Reviews
This memoir of Montreal’s first Haitian street gang has a bold thesis about racism and policing in Quebec society.
By Taylor C. Noakes
Michel Jean's novel based on his grandmother's life is a love story laced with loss.
By Roxane Hudon
John Reibetanz’s poetry collection rewrites Ovid’s Metamorphosis with a distinct ecological sensibility.
By Salena Wiener
Paul Serge Forest's novel switches from the pragmatic to the philosophical, with a touch of the psychedelic.
By Sharon Morrisey
In Camille Jourdy’s eighth book, she has found and refined her visual signature to perfection.
By Ian McGillis
Michael Lista's collection highlights two types of tragedy: the kind found in the crimes he documents, and the risks to long-form journalism.
By Eve Thomas
Valerie Mills-Milde's historical novel is beautifully, heartbreakingly poetic.
By Tina Wayland
T. Liem’s new collection is an immersive and thought-provoking exploration of time, identity, and language itself.
By Salena Wiener
Nicholas Dawson's collection, D.M. Bradford’s first full-length translation, is a dazzling and multilingual success.
By Salena Wiener
Jayson Keery’s collection is weird, experimental, captivating.
By Salena Wiener
Felicia Mihali skillfully pairs the exquisite with the repellent, arresting the reader with vivid descriptions that engage all the senses.
By Kimberly Bourgeois