Paisley Conrad

Writing in the immersive second person, Rosso entwines her reader with her unnamed narrator’s experiences.

In these breathless, experimental poems, Haiun plays with textual orientation.

Robin Durnford’s At Beckett’s Grave reimagines elegy not as closure, but as pause.

Sarah’s work embodies the tension between expectation and perception.

This poetry is informed by the lens of observation, but not of the coldly scientific kind.

The poems move like a mind caught between thresholds.