Each page is filled with capsule-like observations of the physical world rebounding off her innermost thoughts.
By Sharon Morrisey
Priscilla Jolly
Jonathan Sa’adah’s new photobook was compiled during a two-week expedition to Syria with his then ninety-year-old father.
By Dean Garlick
A beautiful fable for our difficult days.
By Jules Brown
Yanofsky’s writing is candid, cheeky, and empathetic, and he is unafraid to lean into his innermost fears.
By Brooke Lee
Marie-Claire Blais' final novel is meant to push past limits and ends.
By India Das-Brown
The Unfinished World reminds us of the power of storytelling, of remembering those we have lost and learning from them.
By Roxane Hudon
A compelling argument, made all the more so by Soderstrom’s skillful storytelling and engaging, accessible style.
By J.T. Wickham
The stories remain hopeful and strangely optimistic, and underline the power of even a small change.
By Natalia Yanchak
The collection is a masterclass in grounded storytelling.
By Esinam Beckley
Writing in the immersive second person, Rosso entwines her reader with her unnamed narrator’s experiences.
By Paisley Conrad
At 580 pages, the book is physically unwieldy, though narratively graceful – a remarkable feat.
By Heather Leighton
Echeverría’s memoir traces a recurring thread of finding connection in unsuspecting places.
By Hana Woodbridge