There’s the country somewhere outside the car.
The country where the elm fucks the maple
and the elm broods as if auditioning
for a new PBS miniseries.
Palace flags and shoot-to-kill orders,
cardboard tanks and well-lit borders,
dungeons and lice, grenades and books,
photos retouched and high-kicking boots,
The archaeologist’s daughter grew up in tombs. She spent her early childhood crawling through the volcanic ash, which preserved time. Her father dug tunnels in the ground, uncovered death masks, stumbled upon bones of winged beasts, while her baby hands clutched the cold earth.
Tonight it will rain on the green dunes of limestone.
Wine preserved until now in a dead man’s mouth
will awaken the realm of footbridges, displaced in a bell.
A human tongue will clang courage inside a helmet.
So it’s a dreary December, the sun a low ember
behind ashen snowfall, when you see him bicycle by.
You know this guy! His paintbrush, you’ve seen it fly
as watery blues and greys create a feisty pigeon
perched atop a tarnished angel’s head.