Really good historical fiction is needed for so many reasons: to help us understand how people made choices based ...
By Sarah Lolley
Fiction
It’s never a great idea to judge the cultural products of a past era by the standards of one’s own. The practice ...
By Ian McGillis
The label “experimental fiction” is a loose and overused one; isn’t all fiction an experiment, just the way all ...
By David Homel
Some books leave an impression less for what is said than how it is said; are memorable less for their plot, or ...
By Peter Dubé
Kathleen Winter’s debut novel Annabel is a journey which succeeds on multiple levels. Literally, it ...
By Claire Holden Rothman
Jeffrey Moore’s third novel, The Extinction Club, features a cast of characters who are unstable at best ...
By Eric Boodman
Piers’ Desire, the third novel by Montreal-based writer Marianne Ackerman (Jump, Matters of Hart) ...
By Sarah Lolley
In The Jihadist, Emery More sets out to explore the psyche of someone driven to militant extremism. This ...
By Correy Baldwin
Although Unwanted Hopeless Romantic Morons begins with what appear to be disconnected tales, it settles ...
By Correy Baldwin
"The world is a cocoon; everything converges, everything is subtly linked."
Rioux's novel opens in a late-night ...
By Michael Varga
Set in Eastern Europe in the early 1900s, James Sturm's new graphic novel Market Day is about a Jewish rug ...
By Lori Callaghan
Claude Lalumière's first collection of short stories, Objects of Worship, emerges from the dark world of ...
By Vanessa Bonneau