Michael DeForge consolidates all his strengths even while breaking new ground, and does it on a grand scale.
By Ian McGillis
Reviews
Ann-Marie MacDonald’s magnificent fourth novel is a hefty read, yet never does it feel too long.
By Kimberly Bourgeois
Rachael Pleet is an illustrator who lives with a large, loud dog.
By
Flavia Biondi’s and Fabiana Mascolo’s art jumps off the page in vibrant, fluid storytelling, beautifully illustrating Cecil Castellucci’s Shifting Earth.
By Billie Gagné-LeBel
Stanley Péan combines his considerable knowledge of jazz history with his talent for editorial fact-finding.
By Darcy MacDonald
Toula Drimonis' We, the Others is a declaration, with evidence, that allophones and immigrants do belong here.
By Elisabeth Gill
Letters from Montreal is a collaged portrait of a mythical city.
By Alex Trnka
Alexei Perry Cox's PLACE offers radical, strategic, and intuitive ways of being.
By Emma Telaro
The Four Seasons of the Pipa is a musical picture book that describes the bond between a little girl and her grandfather.
By Phoebe Yì Lǐng
James Pollock's pocket poems reveal an expansive meditation on tools we have for meaning-making.
By Emily Mernin
Catherine McKenzie's thriller will give you its fair share of twists and turns throughout.
By Sharon Morrisey
Kate Beaton’s graphic memoir chronicles her two-year stint in the northern Alberta oil patch.
By Emily Raine