Pascal Girard’s Petty Theft is a fictionalized autobiographical account of the author’s surrogate character, also named Pascal, and his increasingly hare-brained schemes to stalk, date, and ultimately confront a cute girl he sees shoplifting a copy of his book. This innocent enough set-up is followed by an escalating series of comedic embarrassments in which Pascal repeatedly says the wrong thing at the wrong time and where everything he does to get out of trouble has precisely the opposite effect.
The book features crisp and meticulously detailed black-and-white illustrations, and the whimsical, comedic, and occasionally surreal moments of the original story are particularly well served by the graphic novel form, making some scenes feel foreordained for a visual medium.
This history is just some of what Photobooth: A Biography has to offer. In her graphic novel debut, writer, illustrator, and self-described “photobooth geek” Meags Fitzgerald draws back the curtain on an industry in flux and shares her own relationship with the machines.
Shigeru Mizuki is a living icon in Japan, to the point where an entire street in his birthplace, Sakaiminato, is given over to bronze figures representing characters from his work, and the nearest airport has been renamed in his honour.
