John Reibetanz’s poetry collection rewrites Ovid’s Metamorphosis with a distinct ecological sensibility.
By Salena Wiener
Reviews
Paul Serge Forest's novel switches from the pragmatic to the philosophical, with a touch of the psychedelic.
By Sharon Morrisey
In Camille Jourdy’s eighth book, she has found and refined her visual signature to perfection.
By Ian McGillis
Michael Lista's collection highlights two types of tragedy: the kind found in the crimes he documents, and the risks to long-form journalism.
By Eve Thomas
Valerie Mills-Milde's historical novel is beautifully, heartbreakingly poetic.
By Tina Wayland
T. Liem’s new collection is an immersive and thought-provoking exploration of time, identity, and language itself.
By Salena Wiener
Nicholas Dawson's collection, D.M. Bradford’s first full-length translation, is a dazzling and multilingual success.
By Salena Wiener
Jayson Keery’s collection is weird, experimental, captivating.
By Salena Wiener
Felicia Mihali skillfully pairs the exquisite with the repellent, arresting the reader with vivid descriptions that engage all the senses.
By Kimberly Bourgeois
George Elliott Clarke's essays argue a persistent erasure of over three centuries of Black life and its evidence in Canada.
By Faith Paré
Author Norman Ravvin dug into his family history to better understand how his late grandfather, a Jewish immigrant born in rural Poland, managed to relocate his family to Western Canada in the early 1930s.
By Jack McClelland
Richard Tardif describes his experience as a white journalist in the Mohawk community of Kahnawake.
By Taionrén:hote Dan David