In a world devoid of affection, the word “gentleness” reverberates like a blow to the head when it materializes suddenly in the final pages of Karoline Georges’s novel Under the Stone – newly translated into English by Jacob Homel.
Everything in Italy is “old and broken,” says Suzanna’s niece, encapsulating a motif in Keith Henderson’s latest novel. Suzanna can relate. It seems everything about her life in Montreal is crumbling, too. When her ex-husband threatens to curtail support payments, the newly divorced forty-two-year-old must scramble to find a job – no small task since she long ago abandoned her studies for motherhood and hasn’t worked outside the home since.
While Testament may find readers everywhere, it will be of particular interest here in Anglophone Montreal, where word of Vickie Gendreau’s extraordinary life and death may have already been heard. Midway through 2012, at the age of twenty-three, Gendreau was diagnosed with an inoperable brain tumour. Less than a year later, she had succumbed to it, but not before writing two books that would make her the darling, the shooting star, the fennec fox of Quebec literature.
The story that unfolds is a quick and enjoyable read. Seven Days Dead features an engaging cast of characters upon a captivatingly written landscape. To ride alongside Cinq-Mars in the proverbial passenger seat as he thinks through various scenarios and learns about the lives of the townspeople makes for a satisfying and entertaining rainy day read.
The Keys of My Prison is the latest Canadian noir thriller to be resurrected by the Ricochet Books imprint of Montreal’s Véhicule Press. Established in 2010 and curated by Brian Busby, the Ricochet series has brought such long-lost titles as Sugar-Puss on Dorchester Street and Blondes Are My Trouble back into the public consciousness.
In this ambitious book, Marcelino Truong tells his family’s story, intertwined with a history of the onset of the Vietnam War and contemptary reflections about that time. Truong offers a rare perspective for Western readers – that of a Vietnamese French person who experienced the conflict first hand. Originally written in French, the book has been translated to English by David Homel.
Ben Katchor’s Cheap Novelties is considered to have been one of the first modern graphic novels. First published in the late 1980s as a series of strips in the alternative weekly New York Press and then as a RAW one-shot in 1991, the comic has finally received the full Drawn & Quarterly treatment on the occasion of its twenty-fifth anniversary.
Shanghai Grand takes Grescoe and his readers far from Montreal – not only to a distant land but also to a very different time. Its story unrolls in the streets, nightclubs, luxury hotels, and shikumen lane courtyards of Jazz Age Shanghai.
Considering the complexities and difficulties surrounding questions of Indigeneity and non-Indigeneity in Canada, few would have the expertise and courage required to write “A Guide to First Nations, Métis & Inuit Issues.” But this is exactly what Métis author and educator Chelsea Vowel has done.
Small Beauty follows the story of Xiao Mei, a young mixed race Chinese trans woman coming to terms with the loss of her cousin, Sandy. Abandoning the city – along with its labyrinthine welfare system and the complicated community of trans women she’s fought hard to become part of – Mei runs back to the small town where she and Sandy grew up in order to try to work out her feelings.
The hockey arena has fairly humble and perhaps predictable origins. Sheds erected over naturally occurring ice surfaces provided shelter and comfort for recreational skating and other amusements, eventually evolving into more robust (though largely nondescript) buildings. Initially it may seem difficult to get excited by the subject. But Howard Shubert’s book Architecture on Ice: A History of the Hockey Arena is beautifully illustrated with a carefully curated selection of paintings, prints, photographs, and architectural drawings
