"I wish more food writers would write about going to the bathroom,” declares Lisa Hanawalt in her new comic book, Hot Dog Taste Test, shortly after giving her thoughts on the sanitary installations of a restaurant, “because it’s funny and interesting and it’s the inevitable result of all of this.” This encapsulates Hanawalt’s approach in this book: irreverent, funny, silly, and insightful.
The importance of Chris Oliveros to the world of alternative comics publishing is probably impossible to overstate. As the founder and publisher of Montreal’s Drawn & Quarterly, Oliveros oversaw work by such seminal cartoonists as Chester Brown, Julie Doucet, Seth, and Adrian Tomine, among many others, and his successes have been instrumental in carving out a cultural space for offbeat, alternative, and so-called “serious” comics.
There are two kinds of people in this world, as the saying goes. Michael DeForge uses this premise, normally the setup for a joke, to engage in some nimble psychedelic riffing with results more bleak than funny.
Fans of Kate Beaton don’t need a review to tell them what to expect from Step Aside, Pops, the second collection from the author of the web-comic Hark! A Vagrant. Beaton’s followers have no doubt been eagerly anticipating another feast of lumpy presidents, sassy dames, and unaccountably bitter superheroes since Beaton’s first collection (also called Hark! A Vagrant) came out in 2011. Step Aside, Pops won’t disappoint, and those who have yet to discover her work have a hearty spread awaiting them.
The third English-language instalment of Shigeru Mizuki’s gargantuan manga history of Japan’s Showa era (the period from 1926 to 1989, defined by the reign of Emperor Hirohito) is the best yet. This sprawling series gradually deepens its gripping narrative as new layers and perspectives are added to a story that is relatively unknown to most Westerners.
On Loving Women is a graphic novel, but only in the loosest sense of that often-ambiguous designation. Montreal- born Obomsawin, who made her English-language debut in 2009 with a comics version of the life of nineteenth- century German foundling Kaspar Hauser, has gathered 10 sexual awakening/coming-out accounts – her own and those of nine other women – and told them in discrete chapters: “Mathilde’s Story,” “Maxime’s Story,” etc.
Originally published in French in 2006, My Neighbour’s Bikini is the story of two shy neighbours living on the Plateau who meet on a sweltering summer day when everything grinds to a halt because of a power blackout. Simon introduces himself to his neighbour, Bernadette, on a downtown street, and, after they walk home together, Bernadette invites Simon to go for a swim at the neighbourhood pool.
Pascal Girard’s Petty Theft is a fictionalized autobiographical account of the author’s surrogate character, also named Pascal, and his increasingly hare-brained schemes to stalk, date, and ultimately confront a cute girl he sees shoplifting a copy of his book. This innocent enough set-up is followed by an escalating series of comedic embarrassments in which Pascal repeatedly says the wrong thing at the wrong time and where everything he does to get out of trouble has precisely the opposite effect.
The book features crisp and meticulously detailed black-and-white illustrations, and the whimsical, comedic, and occasionally surreal moments of the original story are particularly well served by the graphic novel form, making some scenes feel foreordained for a visual medium.
This history is just some of what Photobooth: A Biography has to offer. In her graphic novel debut, writer, illustrator, and self-described “photobooth geek” Meags Fitzgerald draws back the curtain on an industry in flux and shares her own relationship with the machines.
Shigeru Mizuki is a living icon in Japan, to the point where an entire street in his birthplace, Sakaiminato, is given over to bronze figures representing characters from his work, and the nearest airport has been renamed in his honour.
