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The small, precisely rendered moments are what make Kasia Von Schaik's stories resonant, familiar, and refreshing.
By Danielle Barkley
Our fall 2022 issue is on the stands! The cover by Skylar Aung-Thwin is a beautiful thing to hold in your hands.
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Lauren Beck’s book is as much about Canada’s past and present as it is about the country’s future.
By Taionrén:hote Dan David
Neil Smith holds pain and hope in precarious suspension in his autobiographical novel.
By Ami Sands Brodoff
Rana Bose's novel is an allegory of human nature, asking us to question the essence and roots of war and ideology.
By Val Rwigema
Michael DeForge consolidates all his strengths even while breaking new ground, and does it on a grand scale.
By Ian McGillis
Ann-Marie MacDonald’s magnificent fourth novel is a hefty read, yet never does it feel too long.
By Kimberly Bourgeois
Rachael Pleet is an illustrator who lives with a large, loud dog.
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Flavia Biondi’s and Fabiana Mascolo’s art jumps off the page in vibrant, fluid storytelling, beautifully illustrating Cecil Castellucci’s Shifting Earth.
By Billie Gagné-LeBel
Stanley Péan combines his considerable knowledge of jazz history with his talent for editorial fact-finding.
By Darcy MacDonald
Toula Drimonis' We, the Others is a declaration, with evidence, that allophones and immigrants do belong here.
By Elisabeth Gill
Letters from Montreal is a collaged portrait of a mythical city.
By Alex Trnka