Scott’s modes of questioning vary over time, but her concerns remain constant: feminism, queerness, class struggle, resisting capitalism and neoliberalism, the shape of sentences.
The 2020 Montreal Poetry Prize, whose criterion for submission is an original English-language poem of under forty lines, received a staggering 4,645 international entries. An international jury of ten poets work to create individual shortlists, which are then submitted to the year’s judge.
Linda Leith's The Girl From Dream City is an intimate and engaging story of her journey from a challenging girlhood in Northern Ireland to becoming a novelist, translator, and one of Canada’s leading literary curators.
Dr. Samir Shaheen-Hussain's Fighting for a Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada jolts the reader from complacency page after page, detail after detail, pushing us beyond individual incidents to an understanding of a bigger picture.
With Represented Immobilized, a graphic memoir, Rick Trembles takes us through a series of autobiographical strips, each describing a different moment in the artist’s life.
Why a collection of selected poems now? My first question to Carmine Starnino about his new book Dirty Words is perhaps a little unfair. But I’m curious as to what has motivated a retrospective of five collections at this point in his career. A collection of selected poems always has the feel of an interval. A pause, a reflection. A summary, even.
Kama La Mackerel’s debut poetry collection, ZOM-FAM, is kaleidoscopic – literally, it is beautiful in its form and scope. As a way of looking, the kaleidoscope lets us view and appreciate La Mackerel’s moving, imaginative poetry through multiple frameworks.